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Part of Addie Diaz Press
Kit (Manager Manny Siverio, Email: mciacorp@ix.netcom.com
) Addie
Diaz Singing + Plus Dancing = Addie's New Career Intro Addie's Vocal
Bio: "In elementary school, under the tutelage of Mrs. Martha Cohen, the school music teacher, Addie performed in her school musicals generally as the lead singer. When she was in the sixth grade, Mrs. Cohen took Addie to her own vocal teacher for an evaluation. “I was so thrilled and flattered that my teacher who I looked up to was taking me to an ‘authority’ in vocal skills.” The voice coach expressed the natural talent and great potential Diaz had. She advised that Addie should train in technique and strive for a career in singing. 'The secondary school that Addie attended did not have a music program. She didn't have the financial means necessary to pay for private voice lessons and her family was no longer attending church service. She was suddenly left without singing in church or in public. Eventually, Addie moved to Puerto Rico to complete her secondary education. At the age of seventeen, she returned to New York. "Diaz
was presented with an opportunity to pursue a dance career as a Mambo (Salsa)
dancer. She trained with the late Evelyn Leon.
Evelyn Leon was a well-respected Mambo dancer and the Director of the
Dancer’s Fantasy Dance Company . “I
was in an amateur dance contest at “Club
Broadway 96” in Manhattan. We didn’t win but we came in second place.
After the competition, Evelyn approached me and said, “I’d like to train you
to perform with my dance company”. “I was ecstatic and speechless!” Addie
accepted Ms. Leon’s offer and began to train with Mario Diaz (no relation) as
her first dance partner. Mario Diaz is an accomplished Mambo dancer in his own
right. Addie gives Evelyn, along with Mario, Angel "Negro" Rodriguez
and Nelly Cotto credit for their influence in her training and dancing skills. After
exceptional guidance from her coaches, Addie was ready to go on stage and strut
her stuff. Her first dance gig was
at a club called “Studio Studio”
for Louis Ramirez and Ray DeLaPaz’s new record release party. The third time she ever danced on a stage was at Madison
Square Garden as a dancer for Jerry
Rivera . “I couldn’t
believe the opportunity I was presented with, so early in my dance career.
We had such a good time being there. I mean it was Madison Square Garden!
That was really big time.”
In
early 1999, Addie moved on to form her own dance company,
“Addie-Tude”. “People always said that I dance with a lot of attitude
so we just combined my name with part of the word and came up with
“Addie-Tude” – works for me!”. Addie is the choreographer of the company's routines and has
also been hired to choreograph for other dance troupes. Always
indulging in her first love, Addie continues to spend her personal time singing
at home. Ultimately, she decided to
start taking vocal lessons. She
later began singing with a local New York City band. "I really enjoyed
practicing with them, it was a good experience to start off with."
Addie tried out several voice coaches before she met Chino
Nunez, a Producer and talented Salsa music percussionist.
The chemistry was perfect!! Chino
and Addie clicked right away. “He’s
such a down to earth person. Chino’s like a teddy bear.
I felt comfortable the
late Selena’s hit, “No Me Queda Mas” to be interpreted as a Latin ballad, unlike
Selena’s Mariachi style on the original version. Addie then chose “A
Mi Amiga” done originally by Amanda
Miguel to be her debut Salsa tune. Chino agreed that “A Mi Amiga” would
be a great fit for Addie’s demo. He started working on arranging and
transforming both songs into the “new” styles.
“I was very happy with Chino’s work the moment I heard it, he is such
a talented individual. The music
sounded great, I was impressed with all of it – the Salsa was definitely
danceable which is very important to me as a dancer.
He also kept the sentiment in the music for the ballad. He is such a
professional all the way.” Meanwhile,
Chino introduced Addie to Willy Torres ,
a vocalist and also producer in the Salsa industry. “In addition to writing the soneos for both songs, Willy
helped me to work on figuring out the styles in which I would sing the songs. I
enjoyed my sessions with Willy. He
really helped me to find my own style and encouraged me to sing like “Addie”,
not like anyone else.” Addie also
worked with another “Willie”, Willie Ruiz, her vocal coach.
Willie actively works as a background (coros) vocalist for many Salsa
artists today. “Having obtained a Bachelor’s degree in Music Theory , Willie
Ruiz has a great understanding of vocal technique and is extremely generous
with his knowledge”, comments Addie. “I
continue to enthusiastically train with Willie and receive valuable lessons on
the biz from him as well. I’m
really grateful for the time and guidance I’ve obtained from these three
men.” Addie
is currently striving to broaden her knowledge of music by taking piano lessons.
“I want to be able to write and compose my own songs.
I think the public appreciates hearing what the artists has to say in
relation to their own life. I know
that I definitely want to be able to express myself and work on songs that the
audience will know are the real me.”
What makes Addie
different from other female Salsa vocalists is her stage experience as a
professional Mambo dancer.
Addie is credited as being an accomplished dancer and choreographer in
the New York Mambo community. “After my experiences in traveling throughout
the U.S. and internationally to perform as a dancer, I can say that I don
New!
Addie-tude Ladies Styling
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